One institution I have been to on several occasions is LACMA
– mostly due to its geographical attractiveness (walking distance from my
apartment). Clearly, I’ve already posted videos of Chris Burden’s “Metropolis
II” – a complex, large and seriously fun sculptural piece. The work was made
with a small army of gallery assistants and only “runs” at select times just a few days a week. I was also really excited to see Bruce Nauman’s video
work “For Beginners” which debuted a few years ago at New York's Sperone Westwater (link) I am sure most people do not stay in the gallery long to
watch the different combinations, but I find the movement and vocals calming
and almost memorizing.
The Broad has some other fabulous exhibitions including
Sharon Lockhart’s video works which are also calming mostly due to the
choreography of dance movements timed to repetitive music that seems almost
eerily at times. Walking through the different galleries the works not only
pull you in but also push you away. With life-size scale and the same music
throughout made the video pieces feel more like a live performance.
I also very much appreciated the small but powerful photographs in the “Figure and Form in Contemporary Photography” exhibition. Many old friends were in this group exhibition including Catherine Opie and David LaChapelle alongside a new favorite – Slater Bradley (link).
I also very much appreciated the small but powerful photographs in the “Figure and Form in Contemporary Photography” exhibition. Many old friends were in this group exhibition including Catherine Opie and David LaChapelle alongside a new favorite – Slater Bradley (link).
Of course, no trip to LACMA is complete now without a trip
under the Levitated Mass. It was actually a really beautiful rock and although
you may just walk by it if you were in the desert, in the middle of LA this
work is brilliantly exhibited and it is a transporting experience. I’m excited to get
back at an off-hour to hopefully spend some time alone with the Mass – I
imagine it’s even more powerful without the crowds.
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